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Favourite albums of 2020

Thursday, 14 January 2021

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I was RUBBISH at listening to new music in 2020, truly rubbish. But what I did listen to I loved. 

Did you ask for this blog post? Nope! Do you care about my favourite albums? Probably not. Has it been years since I wrote about music? 100%.

But as this is my little corner of the internet, and I am fully throwing myself into 2021 with much more intent to embrace new music so with this, I am sharing my favourite albums of the last year, but what did I miss, let me know in the comments.


Touché Amoré - Lament


Each aching word in Lament sits with me, an album contrasting in these powerful lyrics and drums that sit in my chest with incredible sounds underpinned by fleeting moments. Lament filled me with the same all-consuming hell of my own mind that I felt reading The Bell Jar. 

Wherever I sat - on the deck of a shop or at a street cafe in Paris or Bangkok - I would be sitting under the same glass bell jar, stewing in my own sour air. 

Lifted from this suffocating sense with these rising punches of life and light, Lament is beautiful.


Svalbard - When I Die, Will I Get Better? 



When I say this album is lit, I don’t mean it in the trendy way that I cannot get away with saying. I mean it like there is this slow-burning angst, a rawness that didn’t sit within It’s Hard to Have Hope. 

When I Die, Will I Get Better? Feels like it comes from the Open Wound of the title track, you’ve got to stay angry but there is an openness, a darkness as if this album is a gift because it feels so personal to listen to. 

Basically - IT FUCKING SLAPS, go listen. 


Gleemer - Down Through


Get lost in all the shoegazey dream vibes with all the emotional lyrics you can hold on to in Down Through. The album has this close authenticity to it, packing intense perception as if you could be in the room with them. 

Listen to it and someone stock it in the UK plz. 


Palm Reader - Sleepless


Hitting hardcore heritage and driving it into exquisite layers of depth, ambience and wilding riffs - Sleepless is a passion project.

It is clear every moment and feeling has been thought about, tracks of texture expanding into vast space whilst curated into form with Mckeown’s lyrics an inspiration to put pen to paper.

It is so easy to skip to known or favourite tracks when listening digitally - do not skip on Sleepless, embrace the album in its entirety. 

For fans of pushing your creativity to the next level. 


Spanish Love Songs - Brave Faces Everyone



The last gig before rona lockdowns, we saw Spanish Love Songs supporting The Menzingers the day Brave Faces Everyone was released.

I really bloody miss singing along in a crowded room with an overpriced pint.

From its repeat plays on release day to today, Brave Faces Everyone has become an escape, finding space in my brain by plugging into it for what 40 mins? You know, to remember what you are thinking about isn’t silly or strange - it’s human.

This is the honesty in every day and that you are not the only one in it. It’s singing your little heart out to lyrics that resonate and rising tracks that sweep you into every upbeat miserable moment. 


Hot Mulligan - You’ll Be Fine




There might be an upbeat miserables theme to 2020 and You’ll Be Fine is an album that is 100% within that. Clinging on to raspy emotional moments and sing-along concerts in my car. 


Caspian - On Circles



THIS ALBUM. I don’t know if I have the words. On Circles grounds me. 

I have no idea what these guys do to music, but I just find myself so within myself whilst listening to them. 

Throwback to having a panic attack whilst they played Sycamore at ArcTanGent festival.

So perfectly crafted, I reach for On Circles in moments of anxiety, calm, creativity and happiness. The album roots itself, so visceral and natural that it feels effortless in its growth. On Circles swelling into this immersive experience that transcends time and trends. 



In all that has happened in 2020, music has took an absolute hit, if you can buy an album, a t-shirt or support their social media, enjoy streams then please do. 

Creativity is essential. Where would be without music? 
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Interview with Norma Jean (circa 2014)

Wednesday, 4 July 2018

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So with the sad news earlier last month that Protest The Hero and Norma Jean had to cancel their UK tour and headline sets of UK Tech Metal Fest due to voice issues, I thought it seemed like an appropriate time to dig out an old interview with Norma Jean from 2014 that never saw the light of day. 


The impromptu interview happened in 2014 when Norma Jean were on tour with Branson Hollis, Liferuiner and Night Verses in Manchester touring their latest album at the time 'Wrongdoers'. 

So please keep your negativity away from young and nervous Amber with half an hour notice...

Amber: How was Europe? 

Corey: It’s been awesome, we’ve had a blast. This is the first date in the UK and I think we did three weeks in mainland Europe. We’ve got five shows in the UK then we fly to Russia then Belerus and then we head to Groezrock .

A: How was writing 'Wrongdoers' with the line up change?
C: It went really well, it is not easy to lose a member. I’m not going to lie, you get a chemistry with someone that you build over time but when these guys came in we kind of had instant chemistry. It was really seamless so we kind of started over writing the record  from scratch with similar ideas we’d already presented so it wasn’t that hard to do really. 

A: How have the tracks been received live? 

C: Really awesome, people seem to really enjoy the record and sing along which i hope this means they love it!
A: You are renowned for unusual album art, where did the idea for 'Wrongdoers' come from? 

C: We just think that the artwork should be fitting of the record and that it should be one theme between the music, the artwork and the live show. But really it comes from our interpretations of the songs or another artists interpretation of the record and the songs.

A: Just before I came in we were just discussing how ‘Hive Minds’ would be the perfect introducing song but you play it midway through the set - why have you placed it there? 

C: It’s in the middle somewhere because it’s tuned to B and we put all our B songs together. 

A: Finally, who threw up the most in the 'If You Got It At Five, You Got It At Fifty' video?

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Live review - Nordic Giants - Nottingham Contemporary, 2015

Tuesday, 19 May 2015

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I visit Nottingham so often I should consider moving there but my itchy feet don't like that, so I figured I'd do a wee post on why I love it so much instead. 

The reason for this visit was to witness the incredible Nordic Giants in the basement of Nottingham Contemporary.   If you fancy leaving a gig provoked to the edge of welling eyes and with no words to describe what you have just been a part of then I recommend seeing them. The pair draw your eyes into cinematic projections and wire you to think as if conducted by their music. Dressed entirely in black and with masks and actions that make you question anything you've come to expect from a performance the pair have completely created something commendable.  I find myself lost in their tracks alone never mind the trance of the live performance. 


A little struck by Nordic Giants we decided to hit up Boiler Maker, a wee bar you enter through a secret door in a toilet. If you are sold on these silly little additions as much as I am then you will adore it. 

"No fighting, play fighting, no talking about fighting. This is not Fight Club and you are not Brad Pitt."

Plus if I walk into a bar and they are playing 'Pour Some Sugar On Me' then I am sold but probably leaning towards windmilling my hair whilst crouched on a table. 

The whole place is table service with some hilarious waitresses and impeccable service so how could we not have an amazing time. My first cocktail was 'Oats & Hoes' queue the Step Brothers love, which came with a wee oat bickie. 


After these went down a treat we couldn't resist another, pops went for another 'Stock Brokers Breakfast' (apologies if I balls'd the names up) which had a wee frazzle and pancake with it, and from my memory the sweetest whisky.  I on the other hand went for the amazing 'Cereal Killaz II' (again name apologies) made with almond milk, rum and something else but c'mon I had you at BLOODY ALMOND MILK. I want to have it every day for the rest of my life, so although I may develop alcohol issues at least we know Boiler Maker have gained themselves another happy regular. 


After nailing Friday I couldn't visit Notts without visiting my favourite wee shop in the whole city Ideas On Paper within the beautiful Cobden Chambers. Alex always has an incredible selection in stock and all the knowledge behind it to always recommend you something amazing. We grabbed our treats and hid away in the equally beautiful Wired Cafe.


Now I love chai lattes but Wired's 'Dirty Chai' is the best chai based beverage I have ever had the pleasure of putting in my mouth (You may have noticed that this post is mainly about how much I love food and drink).  Really, I didn't want it to end. 

So hibernating away with our selections of magazines and our incredible lunches we did not want to move.  It was easy to understand why most of the people looked to be in there for the long run. 


When we finally decided to head back into the real world we ended up at Homemade Cafe for some takeaway treats to take to Wollaton Hall aka Wayne Manor with us. If you end up in Nottingham on a beautiful day Wollaton Hall is well worth a visit, beautiful grounds with deer dotted about and rooms full of natural history. As well as that moment when you think wow, I could totally pretend to be Maggie Gyllenhaal right now.


After recovering from miles and miles of walks we decided to hit Red's True BBQ just to fill up even more.  Between the pair of us we managed to rack up a pulled pork burger, sweet potato fries, mac and cheese waffles, a rack of ribs, a sleepy james, fries and onion rings. 

'The Sleepy James' and 'Mac and Cheese Waffles' were both new additions that I had never tried before and I believe they will be becoming my regular.  I have never tasted anything quite like 'The Sleepy James' and it may just look like some chicken in-between waffles and bacon but the taste is so so so much more I cannot recommend it enough. The sweetness of the chicken was so slightly addictive I have been craving that exact taste since I tried it. 


With that wee bit of room left we had floats instead of desert, bacon as desert should always be an option! Nottingham you well and truly nailed it. 


Sure I said at the start of this post that I should just move back there? 











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2014 Vinyl Haul

Tuesday, 18 November 2014

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So way back in August I finally got my hands on a beautiful Crosley turntable and my penchant for charity shopping for books spread into second hand records.

But as my collection grew so did my endless spending on records at gigs, records that once purchased I had to clutch onto for dear life for fear of snapping through the rest of the evening. For those jumping around me completely unaware of the lovingly pressed item i'm was desperately holding on to, I doubt they could tell my half hearted movements came with the self doubt of wishing i'd bought  the record at the end of the gig but just could not resist or feared there would be none left.

These almost static times have meant that now I cannot resist buying bundles from the lovely people at Kings Road Merch, my latest haul included Pianos Become The Teeth, Touche Amore, Every Time I Die, Defeater, La Dispute and Letlive. But I doubt this haul will fix me for long with The Ghost Inside's Dear Youth bundle desperately waiting for a purchase. 


When I got in from work last night my first choice of play was the stunning Somewhere At The Bottom by La Dispute and my player has been turning away ever since. I think the reason I have fallen so in love with vinyl is that unlike just picking a song or single you have to (unless you are particularly skilled in knowing where a song is) listen to an album from start to finish in the stunning composition that the band or singer envisaged it in. 


Nowadays everything seems to happen almost too quickly, we meet people quickly and instanteously know them through various social platforms and because of this sometimes too soon we are bored of them - desperate to find the next interest, be it person or trend. This idea fits perfectly into music as well as we favour tracks and playlists we estrange ourselves from listening to complete albums, records gravitate back to the complete regonition of albums as a piece and not just a single track.

Be it a current trend or me acting old fashioned again, I hope current artists pressing their music is here to stay. Not only does it bring the journey of an album back to the forefront but it also brings album art too. Call me dated but I wish I took a step back from our brisk lives more often, we are taking away the mystery of the unknown in life for quick answers and sped up relationships. So in an effort to follow up on this i'm back to being a hermit with the choice of Letlive's Fake History this evening. 
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Review - Polar - Shadowed by Vultures

Sunday, 9 February 2014

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Although with Hit The Floor we have to review an album every week, every so often there are those ones that blow you away. Last week I received Polar's Shadowed By Vultures which I did not stop playing from the second I got it. Check out my review here and it comes out tomorrow so it is definitely worth a purchase.
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Live Review - Defeater, Caspian, More Than Life, Goodtime Boys - Corporation Sheffield, 2014

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I was recently lucky enough to review Defeater, Caspian, More Than Life + Goodtime Boys at Sheffield's Corporation. It is amazing to come away so inspired from a show, Caspian are one of those bands that make you want to get stuff done and they have definitely had this effect on me, check out the review here.


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Interview with The Devil Wears Prada

Tuesday, 3 December 2013

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I was lucky enough to have a few words with Chris from The Devil Wears Prada a few weeks ago check it out here or below.


We caught with The Devil Wears Prada’s guitarist Chris Rubey ahead of their last show of their 2013 UK tour in Sheffield. Touring their latest album ’8:18′ we heard how the new tracks are going down, maturation of fans and upcoming tour footage.

HTF: So tonight is the last night of the tour, what have the highlights been?
Chris: I don’t know, all the shows have been kinda the same-ish. It was nice to get back into England after playing Ireland, Scotland and Wales. I actually noticed the difference, like we do a little bit better. I guess whenever we play London that is always the best.

HTF: You’re relentlessly touring at the moment, does it ever take its toll? 
C: Yeah, we have been working a lot, the other guys more than me as I didn’t do the last US tour so I got to have a little break to help with the baby. But yeah we already have all of next year booked up already so I’m sure we’re never going home!

HTF: Does this mean there could be a tour DVD on the way?
C: Yeah actually our guitarist Jeremy and bassist Andy kinda collect video and they just bought a bunch of new cameras and everything so we’ve been filming a whole bunch of stuff,  we have tons of ideas but the main goal is to just release stuff constantly – like every week rather than one DVD.

HTF: You’re back on tour next month in North America, how do American shows compare to the UK?
C: We tend to do a little better in America, but it is where we used to put most of our focus so we are more established there. It is  always nice to come over here and it is like proving yourself,  trying to gain new fans and win people over by the end of the set whereas in America people always sing the words back so I just like that in a way we have already kind of conquered America and we’re working on it over here.

HTF: What has the response to 8:18 been here?
C: Very recently a couple of songs like ‘Sailors Prayer’ which is like very singy with a poppy chorus has been sung back and the tracks we released before the record people tend to know those a little bit more but it is definitely slow. It’s not like it is crazy everyone singing the words back at us every night but I am starting to notice it more and more.

HTF: We’ve grown up with TDWP so do you see your audiences getting older?
C: Yeah, that is kind of the point in like evolving with music, we were never like alright so on this album we sounded like this so with this album we have to sound like this. It is pretty much just what bands we listen to and what we want to play. We just try to write the stuff that we want to hear.

HTF: So as you’re evolving so are your fans?
C: Definitely – the people that are our age or were whatever age when they started listening to us are not necessarily craving that same sound. Like if we put out the first record again people would be like oh this is weird but I think we are keeping those same fans so we may not have the scene kid buzz right now but we still have the fans that are going to buy our next record and the one after that and that kind of is the point, that is what we are going for

HTF: After the ‘First Sight’ video what can we expect for the next video?
C: I think that video turned out awesome too – it was kind of a hands off experience for us. We picked a director based on their previous work, let them come up with the idea  and then she actually drew storyboards. We were intentionally not in it as something we wanted to try – almost a mini movie for a song. I like doing music videos and when I see a music video I would want to see the band so were not necessarily not going to be in them from now on but were going to try and make more like ‘First Sight’.

HTF: British bands have been on the rise the past few years, what do you make of the support bands, Dead Harts and Napoleon?
C: Honestly I’d never heard of either of them before this tour and I watched them night after night on tour. I think I hear more bands that interest me over here than from the states – there are definitely a lot of talents bands. Napoleon – super good Dead Harts – super good. I especially like Napoleon , they come across really well on record.

HTF: Do any of your instruments have nick names?
C: Not really but I do have a star wars theme, I have a black guitar with an Imperial symbol and one of my guitars has like the Mandalorian, Boba Fett type thing and then the Rebels symbol.

HTF: Have you ever had any weird riders or gifts?
C: Some people think it is weird that we get socks on the rider, a brand new pack of black socks – I mean if you could have new socks every day wouldn’t you? When we went to South America people made like little stuffed doll versions of us they weren’t too weird they were pretty cool.

HTF: Finally, tonight is the last show can we expect anything different?
C: Honestly no, do you want something? We’ll play Spongebob Grindpants for you.

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Live Review - The Devil Wears Prada, Dead Harts, Napoleon - Corporation Sheffield, 2013

Saturday, 30 November 2013

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I recently got the chance to interview and review The Devil Wears Prada Sheffield, you can check it out here or below.

[Rhian Westbury]

In a week of insane clashing line ups we caught The Devil Wears Prada on their last date of their UK tour at Corporation , Sheffield. Being in the midst of so many tours saw the show moved to the small room at Corporation, sell out to then be followed by an in flux in ticket demand. We doubt any Prada fans will leave it to the last minute again.

Openers Napoleon lurch across the stage as they attempt to warm up the room and although they fling every limb and thrash through every track the crowd just doesn’t seem to shift more than the gratuitous head bob. Despite this awkwardness musically and vocally Napoleon give everything they’ve got till we are desperate to hear what they’ve recorded. So despite fumbling presence with the audience Napoleon’s sweet blend melodic hardcore is something to listen out for.

And lest we forget ladies and gents that we were on Dead Harts territory here as the room heaves before they even begin.As vocalist Matthew Baxendale sweeps up the mic the crowd is swaying unleashing to ‘Leech’ and never relenting through walls of death, circle pits and flailing limbs. Dead Harts hit the spot unlike anything to tongue your ears at the moment, grooving through deviating riffs as Bax relays the mic because everybody already knows the words. And the vivaciousness doesn’t stop there, drummer Anthony Allen has an alluring way of keeping time that leaves the tinkering of the drum rim to accidentally fill spaces that you’d almost miss if it wasn’t for the impeccable breaks in ‘Pit Talk’. As they close on the renowned ‘Smoke Wagons’ the room is in uproar – primed for TDWP.  Regardless if the track is new or old the crowd and DH are giving all they have got and with a new album due for next year there are big things to come for Dead Harts.

The audience at Corp feels a little older, with the odd youth floating about showing that maybe The Devil Wears Prada have developed as we have matured reviving a secure fan base that weren’t just there for the older tracks. As ‘Gloom’ sends Corp wild it proves ’8:18′ is a Prada album not to be reckoned with as ‘Martyrs’ and ‘First Sight’ see the room heaving. And it seems to be a pattern ‘War’ and ‘Sailor’s Prayer’ hold the room in reverence as ‘War’ beautifully lurches in melodicmusicianship and ‘Sailor’s Prayer’ intertwines pop elements that has Jeremy DePoyster vocally conducting the crowd over the intricate agile riff that could easily sway over any fans sitting on the fence. Although the new tracks tear the place apart songs like ‘Escape’, ‘Danger’ and ‘Assistant’ get more chaotic and crushing as they come with frontman Mike Hranica clawing the air with every beat.


With it being the last show of the tour we requested ‘Spongebob Grindpants’ and ‘Still Fly’ but Sheffield was treated no different from the rest of the tour and ‘Dead Throne’ and ‘Mammoth’ split the carnage that was TDWP’s encore. An insane ending to an amazing show that saw The Devil Wears Prada prove that you can evolve and still tear it apart.

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Live Review - The Dillinger Escape Plan - Nottingham, Rock City - 2013

Sunday, 24 November 2013

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So in my recent wee trip Nottingham I got interview and review some amazing bands and one of these was The Dillinger Escape Plan. You can read it below or check it out here which includes some amazing shots. 

[Graham Berry]

Culminating a two month European tour saw The Dillinger Escape Plan bring Nottingham’s Rock City to a stand still. White lights and disorientating bass left us in unsettling darkness between each erupting blindess for ‘Prancer’ to ambush the crowd with its jagged riff and renowned lyrics. Despite this being the last date of the tour DEP are as tight as ever ripping in ‘Farewell Mona Lisa’ as the crowd continue to shout every word back, flinging their bodies with every embedded riff in their person.

If you didn’t take a Ben Weinman to the face after walking the crowd at KOKO you certainly did at Rock City, sliding the throngs of people as security lashed at his ankles. Epic Dillinger tracks such as ‘Milk Lizard’ and ‘Panasonic Youth‘ had the room in fits swinging with every grooving bass strung with Liam Wilsons vivacious moves and the syncopated riffs of ‘Panasonic Youth’. Dillinger continued to work their way through their anthems with ‘Fix Your Face’ and ‘Black Bubblegum‘ jolting through  volatile time changes in perfect unison whilst throwing every limb and vaulting off everything they could.

With every track came a distortion of absurd moving images. With each haunting picture came another abberant image that left you wincing at the stage but desperate to watch DEP. The looming introduction to these eerie figures left us seduced, unrestrained and cornered by Dillinger, making each track more twisted and more vicious than the last. As Greg introduces ‘One Of Us Is The Killer’ with ‘Lets make some babies‘ it’s slow, grooving motions settle in heaving within each person there.

Proceeding to make a crowd lose their shit is possibly the best kind of encore. As the band covered Aphex Twin’s ‘Come To Daddy’ fans eyes met and tore the place apart lunging at every object as the illustriously mental opening riff to ’43% Burnt’ saw t-shirts flying and bodies launching. No one left unscathed.
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Interview with Landscapes

Wednesday, 5 June 2013

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Whilst rarely leaving the press suite at Hit The Deck Festival I also got to catch up with Landscapes, check out what happened:

Landscapes are a band that tour relentlessly and with ‘Life Gone Wrong’ hitting our ears last summer and a new release on the cards Landscapes truly never stop.

We caught up with vocalist Shaun ahead of their set at Hit The Deck Festival. See what he had to say about Europe, Canada and olive paste.

You can find out more about Landscapes via their official facebook page: https://www.facebook.com/LANDSCAPESUK

HTF: How was Bristol?
Shaun: It was good, to be honest it was a lot better than we expected. We don’t really have much of a following in Bristol so we didn’t expect much, but in terms of the amount of people that were there to see us it was really cool. Personally I think the venues could be worked a little bit better, things were too spaced out but other than that it was a really good show.

HTF: Do you reckon Nottingham can top it?
S: Definitely yeah, because things are so much closer people can just come check us out. This is the first time we are playing Nottingham,  we were supposed to play here about two months ago on The Ghost Inside, Rock Sound and Impericon Tour but it was the first show of the tour and because we had to fetch drums from London and then we met rush hour traffic we missed it.

HTF: How would you describe a live show?
S: At the end of the day I only look at us as another band, so anything that we can bring to the table is a bonus. I do think we sound different but we are all trying just as hard as one and other, we used to be quite a fast sort of hardcore punk band but these days we’ve mellowed out and found more of a common ground so we are finding ourselves as a sort of hardcore kind of emotional rock… to a degree.

HTF: Have you had any unusual riders?
S: Sometimes you get some weird ones, on the Counterparts tour we were in Italy and a guy turned up with our food.  We were starving as we’d driven from Vienna and this guy came in with olive paste, bread and potato chips and we were like I don’t know what to do with this, you can’t mix those things together.

HTF: Weirdest tour incident?
S: So the first time we toured Europe and we played in Forst, Germany. Nobody knew who we were and the venue was in a derelict building so there were a lot of interesting characters there. People just kept flicking the lights out so I ended up sleeping in the van to be away from it all,  but as people left the venue they all kept banging and pissing on the van, I was pretty freaked out.

HTF: So how was the rest of Europe?
S: It’s really good, we did a European run before we really toured in the UK so we’ve always looked at Europe as our main interest as to where we want to tour. They’ve always treated us with great hospitality, given us great opportunities and met tons of people along the way. They look up to bands from the UK and USA so you can’t take it for granted.  When you go over to these countries you can count it as a bit of a holiday and the next you know it’s lads on tour getting really drunk and it can upset a few people and sometimes outstay your welcome so it’s something we tread very carefully with. We try to keep it very respectful but a lot of bands including my band as well can be a nightmare sometimes. European promoters and audiences are more grateful that you’ve made the effort, they make sure you have a good show as much as they want a good show, they always give you a place to sleep flat and the promoters will often go out of their way to make sure you’re fed. They look after you in every way possible.

HTF: Excited about your upcoming tour with Polar Bear Club?
S: We met those guys briefly towards the end of last year at a show in the Bristol.  We played The Fleece with This Is Hell and Polar Bear Club played at The Exchange which was about 20 minutes down the road. The shows coincided but they were not meant to clash, it was there as a whole show but in the end it made one venue empty and the other very packed. But at the same time it was cool to hang out with those guys. We already knew their drummer Steve Port through a band he used to be in and we had helped them out in the past when they got stuck on the road in the UK so we struck up a friendship through that anyway. So were really excited to be out with those guys, I’ve liked that band for a long time.

HTF: We’ve heard there are plans to tour Canada?
S: It’s in talks, we toured with Counterparts who are from Canada and we hit off with them really well. They’re very similar to us in music style we had the same crowd reaction so there was no idea of ‘oh you got a better crowd than us tonight’ it was exactly the same for both of us. So we sort of talked about touring together and getting on their release tour. And no they are recording their new album we confirmed so it’s all still in talks at the moment, but it is definitely in the making.

HTF: What’s next for 2013?
S: So there is the Polar Bear Club tour, a number of festivals, Canada plans. I am the mother of the band so I liked to know what’s going on. We are in talks of other tours so I don’t want to say anything about them at the moment. We always writing and working on releasing another full length for early 2014.


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Interview with Attack! Attack!

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I was one of the few lucky people to get to speak with Attack! Attack! on the day they finally split up, it was also my first ever proper interview with a band after The Colour Line warmed me up. Check out what happened here:

After various line –up changes we met with new vocalist Phil Druyor and guitarist Sean Bell of Attack Attack! before their set at Hit The Deck festival this weekend.
Prior to their announcement that Attack Attack! were calling it a day it is easy to see now why they were so  ambiguous about their future. Check out what happened with one of the last interviews with them here.

HTF: How’s the UK treating you?
Phil (Vocals): This is my first time here and I love it the culture is awesome.
Sean (Guitar): The band was last here about a year ago and we love it.
Phil: The buildings are sick, London was sick, Bristol was sick, I got my hair cut!

HTF: How do UK shows compare to American?
Phil: It’s actually not a huge difference honestly.
Sean: We kind of came in not knowing what to expect from the crowds with a different vocalist coming over so who knows.

HTF: How was Bristol? Do you think Nottingham can top it?
Phil: Awesome, we stayed in a hotel on a canal.
Sean: But we had to pay for the internet. But we’ve heard a lot of good things about Nottingham, we’ve heard this is the place to play shows and the venue is awesome so were looking forward to it. Although there is always room for improvement, so even if you play the most awesome show you can always top the last one but from what we’ve heard Nottingham is the place to do it.

HTF: You don’t tour the UK that often, how does it feel to be back?
Sean: All of us tour the US so much but we are all so used to the same venues,
Phil: But when you show up to the venues you always know where the bathroom is, you know where the bar is, you know where load in is, you know where you can park for most shows,
Sean: The wifi password is already saved in your phone!
Phil: So when we are here it’s like everything is new and everything is something that has to be figured out for the first time.
Sean: Plus it’s really cool having an accent,
Phil: It means are a little bit nicer to me when I ask for directions.

HTF: Who are you excited to see today?
Phil: This or the Apocalypse but our set times conflict!

HTF: What’s the best tour rider you’ve ever had?
Sean: With this band the rider tends to be pretty typical, but the weirdest rider I’ve ever had was in China, we didn’t ask for a rider and they gave us what they thought Americans would want – a lot of Spam.
HTF: Do any of your instruments have names?

Sean: All of them have names! It just comes to me, I just see the guitar and know what it’s called. Actually my guitar for this tour has the least interesting name, it’s the Seanigan.  I think I’m going to name my next guitar Aladdin.
Phil: That’s a pre-emptive name now you don’t even know if it’s going to call for that!
HTF: Any advice for surviving festivals?

Phil: At home it’s so hot so I’d say drink a lot of water, but it’s really dim here so it’s not like everyone is sweating all the time so maybe sleep.
Sean: Which we are a band are really bad at, we find ourselves most productive between the hours of 3am and 6am.

HTF: What’s next for 2013?
Phil: Honestly it’s going to be a bit of a ride for us, there are a few things that we can’t talk about just yet but the latter half of the year is going to be full of surprises.
Sean: Unfortunately our tongues are tied but good things are to come! There is so much stuff that goes on behind the scenes that people don’t realise. There are the inner workings of being in a band which is also has to be business unfortunately, realistically it sucks to think about it like that but if you can’t make enough money you can’t tour, you have to be able to support yourself. So you have to do all the behind the scenes stuff to make it work and it’s been interesting but it’s working out.


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Interview with Empress

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I got to interview the lovely Empress at Hit The Deck Festival this year, check out what happened and try and give them a listen these guys are going to be massive.

It is impossible to pin down Empress as a band, the juxtapose lashing guitars with pensive time changes amalgamating into a whole new sound that Empress have paved the way for.
With new releases on the horizon we caught up with Empress after their set at Hit The Deck  and ahead of their tour with Bring Me The Horizon. See what happened here.

You can find out more about Empress via their official Facebook page: https://www.facebook.com/Empressband

HTF: So how was the set? Did you prefer Bristol or Nottingham?
Ollie(Guitar/Vocals): Nottingham definitely, the venue was better and there were more people.
Alex(Bass): We are more established in Nottingham from what we’ve heard.

HTF: So who are you excited to see today?
Alex: Canterbury
Ollie: Feed The Rhino

HTF: Do any of your instruments have nicknames?
Ollie: Mine is just my baby,
Tom (Guitar): Your bass has a name right?
Alex: John Ellis? Everyone usually gives them girls names and mine is called John Ellis. It is a ridiculously old bass from 1973 so  at some point somebody called John Ellis has put their name on it.

HTF: Weirdest tour incident?
Ollie: They all involve our drummer basically.
Alex: He just loses his mind when he drinks.
Ollie: He had so much Jager I started on him it was that bad. I probably shouldn’t say anymore because he’ll read this, so he is lovely apart from that.

HTF: Any advice on how to handle festivals?
Ollie: We can’t even handle them, yesterday it got to nine o’clock and I was ready for bed. At the start of the day I was like ‘I’m going to get smashed today’ then it got to nine o’clock and I was done.
Tom: He was eating porridge in the service station.
Ollie: Yeah, just not speaking to anyone.
Alex: We just got cups of tea because we were knackered.
Ollie: It’s just not drinking loads, we knew we had to play today so we wanted to be on it.
Alex: Don’t drink too early, or drink too early but hammer it and keep up that pace till the end of the day.
Ollie: If you drink all day you just get to that stage where you go full zombie.

HTF: Are you all prepared for your upcoming tour with Bring Me The Horizon?
Ollie: No doubt something will happen to Ed our drummer.
Alex: We do like to party.

HTF: What is an Empress live performance like?
Ollie: We’re trying to convince people should like us.
Alex: Not that it is a sound that people get it, and I think people liked it when we played with Cancer Bats and we were worried they might not. Like it’s big and it’s dynamic and it kind of goes between soundscapey and then really heavy then ambient stuff like that. I guess it is a bit of a journey.
Ollie: Our main thing is to just be honest because we want to write music we want to hear, and it is the same thing live, don’t try to be something you’re not.

HTF: What is next for 2013?
Ollie: Our album is coming out, and then releasing videos and singles.
Alex: Download, that’s going to be huge for us.
Ollie: Our album is the main thing and getting our name out there.
Alex: We did spend a lot of time getting our shit sorted before, everyone looks at us as a knew
Ollie: We’ve been playing for about four years together
Alex: Before anyone even knew we were a band.


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